James Franco plays a scientist who inadvertently creates a Chimp Guevara.
Details Release Date: Aug 05, 2011; Genres: Action/Adventure, Sci-fi and Fantasy; With: James Franco; Distributor: Twentieth Century Fox Film Corporation.
More than 40 years ago, Charlton Heston pounded the sands of Point Dume and bemoaned the folly of humankind, shouting, ''You maniacs! You blew it up!'' But in the 2011 prequel Rise of the Planet of the Apes, the world ends instead with a rebellion. Coming off his controversial Oscar-hosting gig, James Franco plays a scientist whose genetically enhanced subject, Caesar (Andy Serkis, who did similar motion-capture work as King Kong in Peter Jackson's 2005 film), tires of his shabby treatment and transforms into a sort of Chimp Guevara, a revolutionary who prompts the world's apes to overthrow their human oppressors. The apes haven't fully evolved into humanoids, so the film depicts them with CGI rather than the franchise's trademark makeup. ''Because effects have gotten so good,'' says Franco of acting with a motion-capped Serkis, ''it's like working opposite an actual chimp, but with all the best instincts of an actor.''
Caesar's uprising starts off small, as he directs his captive brethren to flee the research facility. ''It becomes in many ways like an escape movie,'' says director Rupert Wyatt, who would know, having directed 2009's The Escapist. Along the way, Caesar enlists the help of Maurice, an orangutan who knows sign language, and a big bruiser of a chimp named Rocket. ''They all have very distinctive looks and qualities to them,'' says Wyatt. ''It's an A-Team of apes.'' —Keith Staskiewicz
2- THE CHANGE UP
An R-rated body-swap movie with Jason Bateman and Ryan Reynolds.
Details
Release Date: Aug 05, 2011; Genre: Comedy; With: Jason Bateman and Ryan Reynolds; Distributor: Universal Pictures.
3-THE HELP
The beloved novel about early-1960s Mississippi gets the cinematic treatment.
Details
Release Date: Aug 12, 2011; Rated: PG-13; Genre: Drama; With: Emma Stone; Distributor: Wal Disney Pictures.
Emma Stone's mother, like many moms across America, is an enormous fan of The Help, Kathryn Stockett's beloved 2009 novel about African-American maids in early-1960s Mississippi and the white families who depend on them. So when Stone, who'd never read the book, called home last year with the news that she was going to meet the director of some movie called The Help, her mother exploded with glee. ''She screamed in my ear,'' says the young actress, ''and proceeded to tell me that 'Oh my God, this is the most unbelievable thing that's ever happened to you! Do you realize the weight of this?!'''
That evening, Stone, armed with an email from her mother summarizing the book, walked into the bar of Manhattan's Four Seasons restaurant to see director Tate Taylor. Taylor, for his part, had someone very specific in mind for the role of frazzle-haired Skeeter, the gawky college graduate who starts secretly interviewing a few brave women about their fraught experiences with their white employers. ''My prototype was loosely based on Joan Cusack at 22,'' he says. ''To me that was Skeeter.''
Within minutes of meeting Stone, Taylor knew he had found just the woman for the role. ''Emma was completely awkward and dorky, with her raspy voice,'' he says, ''and she sat down and we got a little intoxicated and had a blast, and I just thought, 'God! God! This is Skeeter.''' The next time they went out for drinks, Stockett, Taylor's best friend since kindergarten, came along and gave her blessing to the casting choice as well.
Stockett and Taylor grew up together in Jackson, Miss., and were themselves cared for and loved by black housekeepers. (Carol Lee, the woman who helped raise Taylor, has a small role in the film.) Taylor was one of the first people to read Stockett's manuscript for the book and even optioned the film rights before publication. Stockett had decided that Taylor — whose last directorial effort, 2009's Pretty Ugly People, grossed less than $7,000 at the box office — was the only person who could properly adapt a screenplay and direct a movie version. ''Then the book came out,'' remembers Taylor, ''and all the sharks of Hollywood were like, 'Oh my God, we want the rights!' But Kathryn called me and was like, 'F--- 'em all, we're doing it!'''
From that call on, the stars have literally aligned for Taylor. Joining Stone in the cast is a deep bench of talent. Viola Davis plays stoic maid Aibileen; Cicely Tyson plays Skeeter's childhood maid Constantine, now mysteriously absent; Allison Janney plays Skeeter's rigid mother; and Sissy Spacek plays the mother of Skeeter's even more uptight society friend, Hilly (Bryce Dallas Howard). And then there's Octavia Spencer, who plays the tart-tongued maid Minny. Though the studio pushed hard for Taylor to cast a bigger name in that showy role, the director fought hard for Spencer, whom he'd met when they were both working as production assistants on 1996's A Time to Kill. (Later, the fast friends would go on to share an apartment in L.A. for four years.) In fact, the character of Minny was partly based on Spencer, whom Stockett had met through Taylor. ''She is Minny,'' Taylor says.
The director went yet another round with the studio in order to shoot The Help in his home state. ''We dumped, like, 17 million bucks into a very poor county in Mississippi,'' he says proudly. ''This movie is magical. I've already prepared myself that this whole experience is once in a lifetime.'' —Karen Valby.
4-30 MINUTES OR LESS
A twisty crime comedy starring Danny McBride, Jesse Eisenberg, and Aziz Ansari.
Details
Release Date: Aug 12, 2011; Genres: Action/Adventure, Comedy; With: Jesse Eisenberg and Danny McBride; Distributor: Columbia Pictures.
See if you can follow this: A dim-witted goon named Dwayne (Danny McBride) needs money to hire a hitman (Michael Peña) to knock off his dad (Fred Ward), who's about to piss away the family fortune he won in a lottery jackpot. So Dwayne straps a bomb onto Nick (Jesse Eisenberg), an unsuspecting pizza-delivery guy, and forces him to rob a bank. Still with us? According to director Ruben Fleischer, the zany, curlicue plot of 30 Minutes or Less is the key to its appeal. ''It's not the first-ever bank-heist movie, but at the same time it's not predictable,'' he says. ''Just when you think you know where it's headed, it goes in a different direction.''
Some of those directions lead Eisenberg's Everydude to finally confront his own unrealized goals, including a romance with the sister (Dilshad Vadsaria) of his best friend (Aziz Ansari). ''My character spends the first 25 years of his life being lazy, and then one day making up for it,'' says Eisenberg, who appeared in Fleischer's 2009 movie, Zombieland. ''He has this extreme experience and uses that day to correct all the mistakes he's made.''
30 Minutes also let Eisenberg realize one of his secret goals — working with comic Nick Swardson (Just Go With It), who plays McBride's partner in crime. ''I've had a head shot of Nick up in my bedroom since I was 14,'' admits Eisenberg. ''I saw him on a TV show called Make Me Laugh. I watched it over and over and memorized his stand-up comedy.'' So how did Swardson react when Eisenberg shared his fan behavior? ''Nick was very, um, flattered and very sweet. And creeped out.'' —Adam Markovitz
5-CONAN THE BARBARIAN
Jason Momoa steps in for Schwarzenegger in this reboot.
Details Release Date: Aug 19, 2011; Genres: Action/Adventure, Sci-fi and Fantasy; With: Rose McGown and Jason Momoa; Distributor: Lionsgate.
How do you outdo Arnold Schwarzenegger as the sword-swinging, leather-thonged Cimmerian? For advice, director Marcus Nispel turned to John Milius, who helmed the 1982 original and suggested he start his search in Iraq. ''So we actually looked in Iraq,'' says Nispel. ''We looked in Russia. We looked everywhere. Then we found Jason [Momoa, of Stargate Atlantis] in California literally four minutes from where I live.'' Seems that big-screen barbarians are always in the last place you look. —Keith Staskiewicz.